有的人不想參賽
有的人不知道有比賽這回事
所以
有人參賽得獎
有人參賽共孤
有人沒參賽當然什麼也沒有
有人不知道有比賽這回事,所以:得獎是什麼東東?
隨便啦
得獎有...打廣告也是有
看有沒有違反版規就是了
有人愛現有人不愛現
曹丕果然有遠見
ricky_lin wrote:
我覺得很重要，你覺得...(恕刪)
我應該說明沒有針對你的 因為我覺得 都只是「拍照」而已～不好意思 讓你誤會了
誠心的跟你道歉 呵呵 SORRY
還有～我一直都是讓大家自行判斷的！
這些回覆的人我可一個都不認識啊！（如果你以為是我招來的）
在噗浪上稍微抱怨一下是很正常的咩
我也是個有情緒的人呀～哈哈
www.hsushengyuan.com
也來介紹一個很強的PX3獎得主
Artist's Name: Richard Koenig
Country: Kalamazoo, United States
Title: Photographic Prevarications
Description: Photographic Prevarications For the last eight years, I have been working with pictures that I re-photograph in one way or another, suggesting a tautology or a form of meta-photography. I use this duplicative tactic as a way of exploring the inherent tension that exists within photography—its ability to both depict and deceive, simultaneously. In my latest work, which I call Photographic Prevarications, space, planes, and objects themselves are presented in such a way as to underscore photography’s ability to tell untruths. In this way, I coax the viewer to question the nature of photography itself—by making them aware that they are looking at, and perceiving, a photograph, not looking at the subject matter of the photograph. By using these tactics, emphasizing the tension that exists within photography, playing up its ability to dissemble, I have moved its emphasis from transparency to trickery. This in turn posits the viewer at a point where depiction and deception meet—and hopefully leaves them teetering between the two. Richard Koenig
About the Artist: Richard Koenig (b. 1960) received his BFA from Pratt Institute (Brooklyn, New York) and his MFA from Indiana University (Bloomington, Indiana). He has taught art and photography courses at Kalamazoo College, Michigan, since the fall of 1998. Richard is having two concurrent one-person exhibits in 2008: South Bend Regional Museum of Art (March 15th to May 18th) and The Richmond Center for Visual Arts—Western Michigan University (April 24th through the summer). Mr. Koenig has attended several artist residencies, including the American Academy in Rome and the Millay Colony for the Arts (New York State). In addition to his photographic work, his videos have been shown in the United States, Canada, France, Australia, Japan, and Yugoslavia. He is represented by Editions Fawbush in New York, and FLATFILEgalleries, in Chicago.
http://www.px3.fr/
Richard Koenig
同樣的概念,南藝的學生也有作過
鄭秀如
http://powerslide.artistswanted.org/exposure2011
來來來
我提供幾個其他國際攝影比賽給大家丟丟，希望有實力的人繼續替台灣爭光！
http://www.bjp-online.com/public/showPage.html?page=282366
http://www.thecolorawards.com/
http://www.photoawards.com/en/
http://www.npg.org.uk:8080/photoprize/site09/index.php
雖然有些比賽已經截止了但是可以去看看得獎作品咩（BJP那個還沒喔）
每年都有舉辦喔！
我一直都有分享我得知的比賽訊息跟攝影者在這個網站：http://forum.dreamreload.com/showthread.php?s=&postid=1580796#post1580796
徠卡中文網站也有很多比賽的訊息
我則很常在圖書館看BJP去查詢有無比賽的資訊，大家一起瘋狂丟比賽吧！（雖然要花很多報名費）
www.hsushengyuan.com
友善的小徐 wrote:
攝影沙龍美學？廣告攝影美學？當代攝影藝術？重要嗎？很多攝影者並不會這樣去區分自己的其實～都還是需要賺錢餬口而已！.(恕刪)
確實很多人不會去區分，對他們來說這些也不重要，不過我認為對那些想要從事當代藝術創作的人而言，這就很重要了，體系的差別也意味著裡面的組成份子，運作狀況以及市場是不同的，你接觸的圈子是哪些，就會是怎樣的發展（不只是身份職業，也包含思維層面）。
就算是藝術圈也有圈圈的不同，國內常報導某某某得了法國藝術沙龍入選之類的報導，但是這也跟當代藝術一點關係也沒有，如果有心朝當代藝術發展的人，就算入選了二十次這類的獎，也不會因此變成當代藝術家。
先前中國藝評家提出糖水片一詞引起的波瀾並不會是在當代藝術圈裡，而是影響與觸怒那些以為藝術一詞就只是一個大圈子的人們。
ps.我雖引用小徐的觀點，但以上的話不是對小徐說的，我沒想要改變你的想法的意思，只是想提出我所認為的藝術狀況。
怎麼都沒人提到日本EPSON比賽阿!?
先姑且不論比賽屬性或層級多少,
跟上述比賽相較下起碼不用繳交高額報名費，
有作品就參加吧~
要不然放在自己家抽屜也是白浪費的
得獎了主辦單位還全額邀請你去日本領獎，
拼一下沒得獎拍拍屁股繼續自己創作，
得獎了獎金可是非常高額喔~
又可以見到森山大道,佐內正史本人...
各位有空準備作品吧~
日本EPSON比賽官網
leelichung.com
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